Monday, 19 November 2018

MOVE OVER ORANGE FUCKHEAD

I went to see David Byrne's American Utopia show on Saturday.


This was stupendous! The best show that I've seen for some time. It wasn't just a rock concert but was more like an opera that Kurt Weill or Benjamin Britten could have put together. The constant movement and rhythm used Brazilian samba beats and USA high school marching band motifs.
The musicians and singers  - 12 of them including Byrne - carried their instruments including percussion on body harnesses so were able to move in a choreographed two hour performance - vibrant and alive.


David Byrne is no imitator and once again sets a new standard for on-stage performance - not that his Stop Making Sense has ever been eclipsed.

I normally hate it at concerts when people stand up in front of you to dance but at this show everyone, from the second piece of music in stood up and moved and it was infectious. Byrne certainly knows how to motivate an audience unlike that fat foolish fuck Donald Trump who thinks he does. American Utopia is political of course and alludes to the fact that The United States of America had its beginnings as a utopian experiment that has largely failed. If David Byrne had been born in the USA then I have no doubt the man could be President.









Thursday, 21 June 2018

TURNING IT UPSIDE DOWN



I was listening to Barry Crump's Nights programme on National Radio last night and he was interviewing a composer who talked about the use of objects other than musical instruments when making music.

LUCIANO CHESSA

I liked his music and what he was saying. No doubt Richard will disagree with this because I'm wrong and Chessa is crap or something and Robert, who has a snobbish attitude that anyone who doesn't play a musical instrument should not have any opinion on music will pooh pooh, but hey, who cares - I've said before that I like music that is a bit off centre like Scott Walker's Bish Bosh and Stephen Sondheim, Kurt Weill and  Benjamin Britten operas,

 Stockhausen's Music For Helicopters was referenced: HERE
Which I listened to and liked the idea of reminding me of Bish Bosh although real instruments were used.

I was reminded that Richard, the most accomplished and educated musician I know talked sometimes about how his household appliances would (when they thought that no-one was listening) perform in various musical keys. Sadly these posts have disappeared having been obliterated in THE GREAT BLOG DESTRUCTION OF JULY 2016.
A story of music making (in secret) by household appliances would be worthy of Roald Dahl or Dr Seuss.


Monday, 18 June 2018

TWICE IN A LIFETIME

I'm going to see David Byrne in November this year.


I've seen Talking Heads perform before back in 1979. They have long been one of my favourite bands. I like Byrne's music and lyrics and his The Catherine Wheel is one of my favourites.


He has dabbled in experimental theatre a lot and this partnership with Twyla Tharp (choreographer) really hit the spot with me in 1981 to the point where I planned to go to New York to see it but work commitments interfered.


I'm going on my own as The Old Girl, while liking Talking Heads thinks that Byrne's solo works like The Catherine Wheel are  'a bit weird'. Hopefully she'll remind me to go on the date as a couple of years ago when I had a ticket to go to see Ian Anderson (Jethro Tull) I forgot to go. See HERE



Tuesday, 5 June 2018

BEWARE THE MACHINES

I've been watching the Netflix drama series Lost In Space which is a kind of remake of the '60s tv series of the same name. It has many good points with some great cinematics but is let down by silly science, wooden acting, dumb story lines and the Americans' love of over-sentimentalising everything.

In the series the robot (remember: "Danger Will Robinson, danger") is much scarier and more powerful. It, and its fellow machines have more sophistication and potential than the humans.

This was on my mind when I watched this YouTube clip on modern music and the formulaic way it is being created.


THE TRUTH WHY MODERN MUSIC IS SO AWFUL


Now this is his opinion only but the guy's essay is pretty good and it's worth listening to.

It kind of reminds me of the differences between Richard's and Robert's approaches to creating music.
Richard uses learning and experience and Robert uses programmes.
Maybe this is why Richard has more 'Timbre'.

He certainly has more pine trees up behind his house.


.

Monday, 30 April 2018

SITTIN' ON THE DECK BY THE BAY - WASTIN' TIME ........






Yes, we all remember those classic TV themes like Rawhide, The Flintstones, The Andy Griffith Show, Mr Ed, The Monkees, The Beverly Hillbillies, Curb Your Enthusiasm, Steptoe and son, Doctor Who, Coronation Street, Z Cars, The Onedin Line etc. etc. etc.

More recently there have been some outstanding American TV series where music is especially chosen by the directors and producers and match so well as if it was written just for the series.
In these cases the signature theme song or music can be iconic and synchronistic.

Here are some of my personal favourites.

****************

1. THE WIRE

Way Down In The Hole by The Blind Boys of Alabama



2. THE SOPRANOS

Woke This Morning by Alabama 3



3. MR MERCEDES

It's Not Too Late by T-Bone Burnett



4. JUSTIFIED

Long Hard Times To Come by Gangstagrass



5. TRUE DETECTIVE

Far From Any Road by The Handsome Family




Friday, 23 March 2018

WHY ARE 'ROCK STARS' SACRED?

Over the last few years we've seen public figures and famous personalities outed for their disgusting, obscene and illegal activities towards women and children. Some of the legal actions that resulted have been sorted with the perpetrators fined or imprisoned and who may now be thankfully dead. Many others have been merely pilloried and continue to deny their actions and are oblivious to the consequences for their victims. In most cases there is a shroud of silence put over the issue.



Politicians, celebrities, actors, comedians, priests and vicars are among the toads - names like Rolf Harris, Jimmy Saville, Bill Cosby, Gary Glitter, Harvey Weinstein, Roman Polanski, Woody Allen are among the many, many who have used their positions of power, wealth or fame to provide them with their 'entitlement'.

There is a group of people though who by and large have escaped prosecution and scrutiny even though we all know that they have behaved immorally, illegally and downright objectionably for decades. These are the 'Rock Stars' and music industry big names.




These arseholes have made careers, fortunes and 'reputations' based on their off-stage lives and the rock and roll legends around many of the 60s, 70s, 80s and even later 'stars' involve sex with groupies and under-age children.

I was listening to this song yesterday:




Which the Rolling Stones released in 1968 on the album Beggar's Banquet.

Good fun? Yes and great rock and roll but have a read of the lyrics here:


"I hear the click-clack of your feet on the stairs
I know you're no scare-eyed honey.
There'll be a feast if you just come upstairs
But it's no hanging matter
It's no capital crime
I can see that you're fifteen years old
No I don't want your I.D.
You look so rest-less and you're so far from home
But it's no hanging matter
It's no capital crime

Oh yeah, you're a strange stray cat
Oh yeah, don'tcha scratch like that
Oh yeah, you're a strange stray cat
Bet your mama don't know you scream like that
I bet your mother don't know you can spit like that.
You look so weird and you're so far from home
But you don't really miss your mother
Don't look so scared I'm no mad-brained bear
But it's no hanging matter
It's no capital crime
Oh, yeah
Woo!?

Now if you clicked the video link above for the Paris 2003 concert and listened to the song you might have noticed that old Mick Jagger sang the lyrics - "I can see that you're sixteen years old"

But on the original recording on the 1968 album the lyric is "I can see that you're fifteen years old.

Have a listen to it here:





The song caused some controversy when it was first released but unfortunately, even though musicians screwing pubescent and even pre-pubescent girls (and boys) was rife there was no real criminal investigation of the industry (too much money involved I guess).

Jagger obviously is aware of the situation the lyric puts him in and changes it when singing the song in later years. Is this an apology though? 

I think not!

UNIVERSAL

  Steve Marriott was a little raver with the soul of a poet and lover. Sadly he died young (in his 40s). He might have reached his potential...