Monday, 11 November 2019

FOUND IT

I'm sure that you occasionally have a piece of music in your head that drives you nuts because you can't remember the lyrics or the name of the song.

I've had one in my head for at least the last year and for the life of me couldn't place the name of the band, the lyrics or the name of the song. All I knew was that it was good, it was a New Zealand song and it originated in the 1990s. I would say it to The Old Girl - "It goes like this - da de da da dum.." and I found her to be very unhelpful. Google searches also were unhelpful as without the name of the song or the band, typing in "da de da da dum.." gets you nowhere.

I had a vague idea of the chorus line but it was like those songs where you've misheard the lyric and you go off on a tangent as I've done in the past:
  • "Goodbye groovy Tuesday" instead of Goodbye Ruby Tuesday.
  • "Loosely in the sky with Simon" instead of Lucy in the sky with diamonds.
  • "These ants are my friends, they’re blowin’ in the wind" instead of The answer my friend is blowin' in the wind.
  • " I skipped the light then dangled" instead of We skipped the light fandango.
  • "Excuse me while I kiss this guy" instead of"Scuse me while I kiss the sky"
And of course in prayers at school: "Our Lady of the petrol sucker" instead of Our Lady of perpetual succour.

With this song in my head I'd sing the lyric "Copraphilia said.." to the Old Girl and ask if it rang any bells. She would just look at me strangely.

**************

This morning I read a list of the best New Zealand songs of the 1990s and there, in the middle of the list was GLORAFILIA by ZED. "This has to be it" I said to myself and then, with excitement looked it up on YouTube. It was - beauty!




It's the song that's been bugging me for ages and was well worth the wait. It's a great quintessentially New Zealand pop song that captures being young and footloose in the Summer.

She keeps me waiting in the morning
Tying ribbons in her hair
And come the evening theres no warning
Why I'm not to know why she isn't there
No time to tell her all the reasons
Why I always disappear
And in those desperate situations
I just fade away still she never cares
But Glorafilia says
She says its just another Sunday afternoon oh oh
And Glorafilia says
She says there ain't no point in loving you no oh

She keeps me wrapped around her finger
So I don't know what to do
And using my imagination
She could set me free
I bet she's dying to
And sipping wine around a table
Her expense is plain to see
Entertainging for a living
She's got everything that she doesn't need
But Glorafilia says
She says its just another Sunday afternoon oh oh
And Glorafilia says
She says…

Sunday, 10 November 2019

"SEE THOSE DOLLAR BILLS GO WHIRLING ROUND MY BED"

I've written a few posts about Patti Smith over the years. Here's one of them:

STILL GOOD AFTER 37 YEARS

I still listen to her music and would love to see her in concert again.

Patti Smith is coming to Auckland in April 2020 to perform in the excellent and intimate setting of the Auckland Town Hall.


Unfortunately I heard about the concert too late and when looking on-line for tickets to an extended show discovered that all of the upstairs seating was sold out and there was only standing room downstairs. I'm too old and infirm to stand in a 'mosh-pit' at a concert nowadays so that wasn't a consideration. Another thing that wasn't a consideration was the cost. $200 a ticket - to stand while being jostled by a whole lot of dickheads who probably don't know half of Smith's music.
Now that sounds arrogant and it actually is but I first started listening to Patti Smith in 1976 on the release of the first album HORSES and have bought or listened to all of her music since so I sort of feel that I have some investment here.

Further investment of $400 (The Old Girl wanted to come as well) plus the cost of her flying Wellington/Auckland return, the cost of me travelling Whangarei/Auckland return and the cost of accommodation in Auckland (we will have either sold or rented out the apartment by then) makes the whole exercise unaffordable.

Shame that. We need some: FREE MONEY


Friday, 8 November 2019

STEELY RHYTHMS AND RATTLETY-BANG




Wellington composer Chris Winter was on the news today with his soon to be released sound project based on traffic going through the Mt Victoria tunnel. It is named Carcophony.


It is worth noting that a work named Car-cophany was made in 2013 in Sydney by Matthew Timmis



This got me thinking that Richard (of RBB) should get into this and create a symphony based on the car sounds from his neighbourhood in Nuova Lazio.

A possible name for it could be A RHAPSODY IN WAINUI (borrowed shamelessly from Gershwin's Rhapsody In Blue. RHAPSODY IN BLUE and he could also borrow from Gershwin's An American In Paris with the Paris taxi horns TAXI HORNS.


SECTION 1: 
  • Theme 1  Sound of car braking and sliding out of control.
  • Theme 2  Car crashes into other parked cars with sound of broken glass and tearing metal.
  • Theme 3  Car driving off with flat tyres - screeching sound of  wheel rims on road.
  • Theme 4  Upward glissando of police car siren.
  • Theme 5  Fluctuating tempo as fleeing car stops - doors open and slam shut - soft sounds of hot engine ticking over.
  • Theme 6  Full orchestra playing faster with sound of police cars and Eagle helicopter chasing running car thieves 
  • Theme 7  Dramatically slowing tempo as car thieves are captured and pushed down on the ground. Sporadic yells, cries, grunts and oaths.
SECTION 2:
  • Theme 1 Staccato and repetitive sound of car running over potholed road
  • Theme 2  Fortissimo dissonant chords lead into sounds of car alarms and smashing rear windows. Cymbals crashing.
  • Theme 3  Trombones start low and then increase in volume as sound track of approaching car with no muffler nears. Percussion softly and becoming louder plays the beat
  • Theme 4  Full orchestra plays upward chromatic scale with intermittent strident trumpet notes as sound track reveals car doing 'do-nuts', 'burn-outs' and 'wheelies'.
  • Theme 5  Piano accompanied by sforzando orchestra leads to choir chorus in rising tempo as soundtrack introduces sounds of angry neighbours yelling at car drivers.
  • Theme 6  Silence then soft glockenspiel and piano accents tinkling down again to silence.
           End.



 

Wednesday, 21 August 2019

HIGH FIDELITY ..... FIDDLE DE DEE

There was a time when I used to think about sound quality in recordings and spent a silly amount of money on good stereo equipment with good amps, turntables and speakers.

To reproduce the best sound I used to buy vinyl recordings which had to be carefully wiped before playing and stored properly to avoid scratching.

The latest equipment (bought 15 years ago) now sits in a little pile tucked away behind the china cabinet in the lounge - one step away from being relegated to the shed.
The vinyl records are all still in boxes from the move from Auckland to Whangarei in 2009 and are stacked in the shed.

When I listen to music now it is usually through an iPod and a Bose sound dock or via YouTube through the smart TV in the lounge.


Sure the sound might not be as good as from Hi-Fi equipment but hey, my ears aren't what they used to be as my hearing is suspect. Also, the convenience of finding the desired album or track on iPod or from the YouTube menu far outweighs any sound deficiency.

When I'm cooking I like to put the TV on with YouTube and access the musician or genre I want and search using 'mix' as a suffix. I can then get a loop of music from a particular artist or a group of musicians or artists in the same or similar genre. For example - I like jazz, blues, opera and old R&B. If I search for Maria Callas and type in her name with 'mix' after it I might get a selection of her arias from great operas interspersed with recordings by other greats and, if I leave it going long enough a segue into other 'classical' music. Wonderful and as I can hear the music well enough from the lounge when I'm in the kitchen I can get on with my cooking.


The iPod is very portable and we easily take it from the lounge to the snooker room when we have a few games. The Old Girl has loaded hundreds of tracks on this which are automatically sorted by genre, album and artist so for example accessing Miles Davis can be done by individual tracks or albums or by setting a loop of all tracks. Just the thing for an hour or so of pool or snooker.

OK, I might be a Philistine but .... "Eeee I know what I like".





Sunday, 18 August 2019

A BIT OF JONI MAGIC




The following two clips of Joni Mitchell singing her iconic song 'Woodstock' come from the excellent OPEN CULTURE website.

The two versions sung 31 years apart each have loveliness and show why she has been celebrated as one of the greatest folk/pop performers.



JONI MITCHELL - 'WOODSTOCK' 1969






JONI MITCHELL - 'WOODSTOCK' 1998





Tuesday, 2 April 2019

JUG JUG TO DIRTY EARS*

I see that The Rolling Stones tour in USA has been cancelled/postponed due to old Mick's health problem.


MICK JAGGER - HEART SURGERY




Well, they are getting on a bit. Mick Jagger is about 10 years older than me and there's no way that I could cavort around on stage the way he's been doing for years.

I was watching the British comedy programme 8 Out Of 10 Cats where Sean Locke compared the Rolling stones to a line up of Toby Jugs.  Funny.

Sean Locke


The Rolling Stones


Toby Jugs

The funny thing is that Toby Jugs have been made of The Beatles:


The Beatles in Toby form
And old Mick has been immortalised the same way:


Mick Jagger







* "Jug Jug to dirty ears" - from T.S. Eliot's The Waste Land



The change of Philomel, by the barbarous king

So rudely forced; yet there the nightingale

Filled all the desert with inviolable voice

And still she cried, and still the world pursues,

“Jug Jug” to dirty ears

Wednesday, 20 March 2019

ORTHOGRAPHY







I watched an Annie Lennox version of that great song I put a Spell On You  today and thought it was pretty good but not the best version I've heard.

You'd have to go far to beat Screaming Jay Hawkins'  original:




But I have always liked Nina Simone's quiet and intense version:





Creedence Clearwater Revival, Bette Midler, Joe Cocker and others have done passable versions that are worth checking out but for me, the one that did it for me years ago was Arthur Brown's screaming version. His magnificent voice was just made for this song which has a lot of Hawkins' elements as well as some of the hamming up that Hawkins did in this version that got a lot of flack from the black community:




Here's Arthur Brown's version:


UNIVERSAL

  Steve Marriott was a little raver with the soul of a poet and lover. Sadly he died young (in his 40s). He might have reached his potential...